Yu Chen Xiao Long, the streets and rivers, the dragons and the dragons never stopped, and the dragons and dances never stopped. The dragon competitions were also held in various places, presenting the shape of a hundred dragons and dragons. Zodiac only "Dragon" in the world. Since no one has ever seen "dragon", how can it be manifested? People have to gallop with their imaginations and learn to graffiti on the basis of social awareness and life practice. Is there a corner or a corner? Is there enough or not enough? There is still no Lin? Winged or wingless? Are there claws or claws? Cyan or yellow? No one can speak clearly. Even folklore experts and academic authorities are still eloquent and contending. In order to truly prosper "dragon paintings," based on practice, there must be a corresponding theory, that is, "dragons of the dragon painting" written by dragon master Dong Yu during the Five Dynasties of the Southern Tang Dynasty.
"Liu Ruyu's Paintings" is said to be a painting of the Tang Bo Hu repertoire in the Ming Dynasty, and volume 3 has for the first time included the "Drawing Dragon Collection". For the first time, he put forward the "three-stop nine-like" theory. "Three stops" is the structural and relative terminology, that is, three paragraphs or three parts, "from the first to the item, from the item to the abdomen, from the abdomen to the end, three stops also." "Nine like" is "head like cattle, mouth like a donkey, eyes like shrimp, horns like deer, like ears, scales like fish, must be like people, like a snake belly, feet like a phoenix." Dong Yu uses rhetoric to describe the simile technique, that is, A is like B, and it is transferred to the things that the world has nothing to make it concrete by using the characteristics of the world. This “three pauses and nine appearances†is indeed a great invention. Not only did all the dragon paintings of the past have been highly summarized and summarized, but they also contributed to the creation of the dragon paintings.
Later, in the Northern Song Dynasty Guo Ruo-xu in the “Picture Information Newsâ€, the “three stops†was changed to “from head to shoulder, from shoulder to waist, from waist to tailâ€, and the four parts of “Nine Likes†were changed to “headsâ€. Like a camel, like a ghost, like a belly, belly like a cow, "newly added" items like snakes, palms like tigers, claws like eagles", and remove the "beard, foot, mouth" features, only retained " Two kinds of scales and angles make the theory of dragon painting more standardized and comprehensive.
Longhua was the earliest practical art, and it was artistic in the Eastern Han Dynasty. There is a painter Cao Buxing in Dongwu of the Three Kingdoms. In order to please the Sun Quan family, he painted a picture of “Qingxi Meets the Red Dragon Out of Water†on the map and gave it to the Sun Quanjun, who was only 3 years old. The famous painter Lu Tuwei saw the painting in the secret house and tried to place it on the water. “When it was time to fill water and fog, and it was tired and tired,†it was really like a real dragon! This anecdotal matter shows that the style of the flattering of the aunts was already full, and the second shows that the dragon painting technique has been perfected during the year.
During the Tang Kaiyuan period, Guanfu was in a state of drought, and the capital lacked rain. The Shaofujian Shao Shaozheng early painted a dragon on the west wall of a certain temple, and then he made a painting of dragons on each side of the wall. “If you want to jump, If things are not half-hearted, they will be born of essays." The emperor and the officials were “under the wall†and the scales were all wet. The color wasn’t over, and there was a white air that burst into the pool and into the pool, and the waves raged, and the thunderbolt rose. In the inside!" "Dragon Rains" has become the myth of the Huimin people who have never tired of the rulers.
The meaning of dragon painting is profound. Materialists can certainly not believe, but there is a great market for religion and faith. In addition to the accidental factors (such as the dragon's objective that the day of the rain is just the objective weather conditions), dragon painting has been a popular theme in the painting world since ancient times.
"Liu Ruyu's Paintings" is said to be a painting of the Tang Bo Hu repertoire in the Ming Dynasty, and volume 3 has for the first time included the "Drawing Dragon Collection". For the first time, he put forward the "three-stop nine-like" theory. "Three stops" is the structural and relative terminology, that is, three paragraphs or three parts, "from the first to the item, from the item to the abdomen, from the abdomen to the end, three stops also." "Nine like" is "head like cattle, mouth like a donkey, eyes like shrimp, horns like deer, like ears, scales like fish, must be like people, like a snake belly, feet like a phoenix." Dong Yu uses rhetoric to describe the simile technique, that is, A is like B, and it is transferred to the things that the world has nothing to make it concrete by using the characteristics of the world. This “three pauses and nine appearances†is indeed a great invention. Not only did all the dragon paintings of the past have been highly summarized and summarized, but they also contributed to the creation of the dragon paintings.
Later, in the Northern Song Dynasty Guo Ruo-xu in the “Picture Information Newsâ€, the “three stops†was changed to “from head to shoulder, from shoulder to waist, from waist to tailâ€, and the four parts of “Nine Likes†were changed to “headsâ€. Like a camel, like a ghost, like a belly, belly like a cow, "newly added" items like snakes, palms like tigers, claws like eagles", and remove the "beard, foot, mouth" features, only retained " Two kinds of scales and angles make the theory of dragon painting more standardized and comprehensive.
Longhua was the earliest practical art, and it was artistic in the Eastern Han Dynasty. There is a painter Cao Buxing in Dongwu of the Three Kingdoms. In order to please the Sun Quan family, he painted a picture of “Qingxi Meets the Red Dragon Out of Water†on the map and gave it to the Sun Quanjun, who was only 3 years old. The famous painter Lu Tuwei saw the painting in the secret house and tried to place it on the water. “When it was time to fill water and fog, and it was tired and tired,†it was really like a real dragon! This anecdotal matter shows that the style of the flattering of the aunts was already full, and the second shows that the dragon painting technique has been perfected during the year.
During the Tang Kaiyuan period, Guanfu was in a state of drought, and the capital lacked rain. The Shaofujian Shao Shaozheng early painted a dragon on the west wall of a certain temple, and then he made a painting of dragons on each side of the wall. “If you want to jump, If things are not half-hearted, they will be born of essays." The emperor and the officials were “under the wall†and the scales were all wet. The color wasn’t over, and there was a white air that burst into the pool and into the pool, and the waves raged, and the thunderbolt rose. In the inside!" "Dragon Rains" has become the myth of the Huimin people who have never tired of the rulers.
The meaning of dragon painting is profound. Materialists can certainly not believe, but there is a great market for religion and faith. In addition to the accidental factors (such as the dragon's objective that the day of the rain is just the objective weather conditions), dragon painting has been a popular theme in the painting world since ancient times.
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