How to Save to "Can Make Money" Artwork

As 2014 passed, we were delighted to see that the art market was still “participating in public” on the one hand, and on the other hand, the unity and return of art prices and values, and the authenticity of art works. More and more voices can be heard. In addition, the actual market prices of many works of art also fluctuate and fluctuate steadily this year, proving that the art market has become more rational from different perspectives.

Of course, for investors, how to buy high value-added works of art is the most worthy of concern. Then, how do you buy “artificial to make money” in the increasingly rational market of the next collection of markets?

Do not understand do not buy

Investors who enter the collection market are often faced with such a difficult problem: The popular artworks themselves do not understand, can not understand, bought fear of being fooled, how to do? Is it to listen to people in the industry, to listen to the veteran collectors, or to listen to experts and scholars? In fact, anyone can listen to it, but they can't blindly believe it.

Among the collectors who had been contacted by reporters, all those who have had some experience in making snacks, and the collections are profitable, have one thing in common: they have a hobby, a lot of research, and a certain understanding of the collection they play. When you come up with an object and don’t say “collectively”, you can say the least about the consequences and the ugliness. Which author, the period of the work, the characteristics of the art, the value of the collection... etc. why? Because if you can't do this, you can't play a good collection.

After all, if you want to judge the authenticity of the work, the value, the market price trend, and so on, if you are all in a cloud, there must be no "money". It is precisely because of this that we can say that the collection market has a relatively high threshold, and investors need to start from their interests and learn and explore slowly to master certain collection knowledge.

When it comes to interest, if you can't even appreciate the works you bought, how can you believe that this is a work of art that adds value and preserves value?

Everyone buys do not buy

At present, whether in the property market, the stock market or the art market, the thinking of “buying up and not buying or falling” is a reflection of many investors. However, is it really a reliable and effective investment method to pursue market hot spots and find artists who are more popular?

First of all, from the perspective of price factors, we can see in the past year that works that are overly hyped and sought after, once their price rises in a short period of time, the follow-up growth potential will drop sharply, and it is also prone to callbacks. Happening. In fact, after a certain author and a certain category of works have become the hottest spots in the market, experienced investors will often look for works whose value has not yet been fully explored and hopefully become the next hotspot, and will avoid becoming a “replica”. ".

Second, chasing will also face some uncertainties. For example, artists whose market attention and work market demand is too large are more likely to fall into the category of counterfeiting groups. For another example, works are eagerly sought out by artists and their agents, overdrawing the credibility of the artists themselves and Academic status, then the price of its works must be separated from the actual artistic value, and investors are also likely to face the risk of “stuck”.

Circulation difficult to buy

In addition, for the investors of artworks, it is also necessary to pay attention to the issue of market liquidity of the artworks they buy. In general, there are a wide range of audiences, such as paintings and paintings and porcelain, and young artists’ works will also have a big market. Conversely, the market for some niche collectibles is much less impressive. Even rare treasures are in small circles. People are really willing to take over.

Therefore, while considering the potential for appreciation of artworks, investors must not forget their future liquidity. Whether it is the possession of Tibetans or the profitability of investments, if there is no effective way to realise them, we often encounter the “price There is no market," he said.